Oil Paint
Oil paint is a slow-drying art medium made with pigment and a drying-oil binder that allows extended working time, smooth blending, and layered application.
Painter
Evelyn De Morgan was a British painter associated with later Pre-Raphaelite and Symbolist art, using luminous oil paintings for myth, allegory, and social ideas.
De Morgan explored mythology, spiritual allegory, women's roles, and pacifism through carefully planned oil-painted figures and striking contrasts of color.
| Born | 1855 · London, England |
|---|---|
| Died | 1919 · London, England |
| Nationality | British |
| Movements | Later Pre-Raphaelite influence; Symbolism |
| Paint types | Oil Paint |
| Painting surfaces | Canvas |
| Painting methods | Preparatory drawings, flowing figure arrangements, detailed oil layering, luminous color contrasts, and carefully planned allegorical motifs |
| Common subjects | Sleep, night, dawn, mythical women, peace and war, spiritual transformation, and social justice |
| Notable works | Night and Sleep · The Storm Spirits · The Mourners · The Love Potion |
| Artistic context | De Morgan was a later Pre-Raphaelite-associated Symbolist, not an original member of the 1848 Brotherhood. |
Sources: De Morgan Foundation: Evelyn De Morgan and her paintings, National Trust: The Mourners, oil on canvas, Watts Gallery: Evelyn De Morgan and her allegories.
The National Trust documents The Mourners as oil on canvas; the De Morgan Foundation identifies oil painting as central to her career.
Oil paint is a slow-drying art medium made with pigment and a drying-oil binder that allows extended working time, smooth blending, and layered application.
Canvas is confirmed for The Mourners, Night and Sleep, and The Storm Spirits.
Canvas is a woven fabric support, commonly cotton or linen, used for painting and sold either raw or prepared with a compatible ground layer.
Burne-Jones shared her interest in dreamlike myth, while Spartali Stillman pursued later Pre-Raphaelite subjects in water-based media.
Edward Burne-Jones was a British Pre-Raphaelite-associated painter whose dreamlike medieval scenes, elongated figures, and rich colors shaped late Victorian art.
Marie Spartali Stillman was a British later Pre-Raphaelite painter whose poetic watercolors, gouache, and tempera depicted medieval stories, women, and quiet landscapes.