Acrylic Paint
Acrylic paint is a fast-drying water-based paint made with an acrylic polymer binder.
Types of Paint
Different paint types use different binders and formulas, which affect surface compatibility, application, drying time, finish, and durability.
Compare common paint types by project fit, characteristics, application, drying and curing, finish, durability, and their main limitations.
| Paint type | Common project fit | Typical characteristics | Common application | Drying and curing | Finish and durability | Main limitation |
|---|---|---|---|---|---|---|
| Acrylic Paint | Art, crafts, décor, and many prepared surfaces | Water-based and versatile; working properties vary by product and medium | Brush, palette knife, pouring, or airbrush and spray formulas | Dries quickly; full curing and safe recoating depend on the product and layer thickness | Matte to glossy; durability varies, and handled or exposed work may need protection | Short open time and variable adhesion on slick, flexible, or heavily handled materials |
| Oil Paint | Canvas, prepared panels, and other stable art supports | Drying-oil binder with extended blending time and strong color depth | Brush, palette knife, glazing, and layered painting | Dries slowly and may require long intervals before later layers or final varnish | Wide finish range with a durable film on a properly prepared, stable support | Slow drying and the need for appropriate sizing or ground on absorbent supports |
| Latex Paint | Walls, ceilings, drywall, plaster, woodwork, and prepared masonry or metal | Water-based architectural paint available in many sheens and purpose-specific formulas | Brush, roller, or airless sprayer | Usually dries and recoats relatively quickly, while full cure and washability take longer | Flat to glossy; durability and cleanability generally rise with the formula and sheen | Ordinary wall paint is not automatically suitable for floors, constant moisture, or difficult substrates |
| Spray Paint | Projects needing fast, even coverage on an approved material | Aerosol coating whose compatibility and performance depend heavily on the specific formula | Several controlled, overlapping light passes from the specified distance | Often surface-dries quickly, but recoat windows and full curing are product-specific | Matte to glossy with durability determined by the formula, substrate, primer, and exposure | Overspray and the risk of poor adhesion or material damage when the formula does not match the surface |
| High-Heat Paint | Grills, stoves, firepits, fireplace screens, engines, and other heat-exposed metal | Specialty coating formulated to retain its finish at temperatures far above ordinary paint | Brush or spray depending on the system, after exact rust, scale, grease, and contamination removal | Drying and heat-curing are product-specific; some systems use no primer while others require a dedicated high-heat primer | Usually durable and corrosion-resistant when used within the rated temperature and exposure limits | Temperature ratings vary widely, and many products are not suitable for direct flame or interior firebox exposure |
| Intumescent Paint | Passive fire protection on approved steel, wood, drywall, concrete, and tested assemblies | Specialty coating that expands under high heat to form an insulating char layer over the substrate | Applied as part of a specified primer, intumescent layer, and optional topcoat system at a required film thickness | Drying, recoating, inspection, and required dry-film thickness are system-specific and tied to the tested fire-protection design | Normally smooth in service, then expands dramatically under fire exposure to slow heat transfer | The coating name alone does not establish a fire rating; substrate, assembly, primer, film thickness, topcoat, and tested specification must all match |
| Conductive Paint | EMI/RFI shielding, grounding, ESD control, circuit work, and electrically conductive surfaces | Conductive pigments such as carbon, graphite, nickel, silver-coated copper, or silver dispersed in acrylic, water-based, epoxy, or other binders | Brush, roller, spray, pen, or other product-specific application with the required film thickness and electrical connection | One-part coatings generally air dry while two-part epoxies cure after mixing; electrical performance depends on the completed film and cure | Functional conductive film whose shielding, conductivity, adhesion, and durability depend on coating chemistry and thickness | Substrate compatibility and electrical performance vary widely, so the coating must match the material and electrical design |
| Paint Markers | Lettering, illustration, customization, crafts, signs, and detail work on approved surfaces | Opaque pigmented color delivered through a marker tip; water-based and oil-based formulas behave differently | Direct marking, drawing, outlining, lettering, and controlled detail work | Usually quick-drying, while fixation, sealing, and full permanence are surface- and formula-specific | Opaque marks ranging from matte to glossy, with durability depending strongly on the surface and marker chemistry | Smooth nonporous surfaces may remain removable or need a compatible protective finish, and formulas are not interchangeable |
| Watercolor Paint | Transparent art, illustration, and studies on paper or specially prepared supports | Water-based, transparent, and usually reworkable with water after drying | Washes, glazing, wet-on-wet painting, and controlled dry-brush work | Dries quickly through evaporation but does not become a waterproof cured film | Usually transparent and matte; pigment lightfastness and protected display strongly affect longevity | Water sensitivity, paper buckling, and the need for a watercolor-specific ground on other surfaces |
| Enamel Paint | Trim, furniture, metal, ceramic, tile, and other hard-wearing approved surfaces | Designed to form a smooth, durable coating; water-based and solvent-based products differ | Brush, roller, or spray depending on the selected product | Surface drying, recoating, and hard curing vary substantially by formula | Usually smooth and hard-wearing, commonly in satin or glossy finishes | The enamel label alone does not establish the formula, approved surface, primer, or curing method |
| Metallic Paint | Decorative walls, furniture, woodwork, metal accents, and other approved surfaces | Reflective particles create a metal-like shimmer or sheen; formulas range from architectural coatings to specialty finishes | Brush, roller, or spray depending on the selected metallic system | Drying and recoating are product-specific; consistent application helps keep the reflective appearance even | Metal-like satin, shimmer, or reflective finishes with durability determined by the system and exposure | Surface defects, inconsistent application, or the wrong base color can make the metallic finish look uneven |
| Hammered Paint | Metal furniture, fixtures, décor, tools, and approved multi-surface decorative projects | Specialty coating formulated to create a dimpled hand-hammered appearance; many formulas also emphasize adhesion and rust prevention | Usually sprayed in controlled medium coats, with the application pattern helping the hammered texture develop evenly | Drying and recoating are product-specific; paint-and-primer formulas may not require a separate primer on every approved surface | Durable decorative hammered texture that can visually reduce the prominence of minor surface imperfections | Substrate approval varies by formula, and flexible plastics or vinyl can limit long-term adhesion and durability |
| Reflective Paint | Nighttime visibility, safety accents, signs, gates, mailboxes, and approved decorative surfaces | Specialty coating that returns direct light toward the viewer rather than storing light for an afterglow | Usually sprayed in several light coats on approved metal, wood, plastic, concrete, or masonry | Drying is product-specific; several light coats build the effect more reliably than one heavy wet coat | Semi-transparent reflective finish whose visibility depends on direct illumination and viewing conditions | It does not glow independently in darkness, and surface approval, primer needs, and reflectivity vary by product and substrate |
| Iridescent Paint | Art, illustration, mixed media, and decorative effects on acrylic-ready supports | Reflective pearlescent particles create luminous effects that change with light and viewing angle; some interference colors shift more strongly | Brush, airbrush, marker, or mixed-media application depending on the acrylic formula | Dries according to the acrylic formulation; the visible effect depends strongly on the base color and film thickness | Pearlescent, lustrous, metallic-like, or color-shifting effects depending on the pigment and viewing conditions | The effect can change dramatically over light versus dark bases and can be altered by varnish or medium sheen |
| Chalk Paint | Furniture, cabinetry, home décor, and decorative makeovers | Water-based decorative paint known for a very matte appearance and strong adhesion | Brush, roller, or compatible spray formula | Usually dries quickly, but waxes and protective topcoats add their own curing time | Very matte and decorative; unsealed wear resistance is limited, while a compatible topcoat improves protection | Handled, stain-prone, glossy, or moisture-exposed pieces may still need primer or a protective finish |
| Chalkboard Paint | Writable walls, signs, boards, furniture panels, and other approved indoor surfaces | Functional coating formulated to accept chalk writing and repeated erasing after curing | Brush, foam roller, or spray depending on the selected product | Requires the stated cure before use and may need initial conditioning by rubbing chalk over the surface | Usually matte and designed for repeated chalk writing, erasing, and gentle cleaning | Surface smoothness, primer needs, indoor-use limits, and curing are product-specific; it is not the same as decorative chalk paint |
| Dry-Erase Paint | Writable indoor walls, boards, calendars, workspaces, and smooth prepared surfaces | Functional coating formulated to create a hard surface for dry-erase marker writing and wiping | Usually rolled or brushed over a very smooth, properly primed base | Requires the full stated cure before writing or erasing; a white base commonly improves brightness and adhesion | Glossy, hard, writable and erasable when the coating is fully cured and kept within its indoor-use limits | Surface defects show readily, and incomplete curing or unsuitable preparation can reduce erasability and durability |
| Epoxy Paint | Concrete floors, prepared metal, tile systems, and other demanding applications | May be a true two-part coating or a one-part epoxy-modified paint; the systems are not interchangeable | Brush, roller, or squeegee as directed, with mixing required for two-part systems | Two-part products have limited working time and require a stated recoat and full-cure schedule | Can produce a hard, wear-resistant finish when the complete system suits the substrate and exposure | Demanding preparation, moisture limits, mixing accuracy, pot life, and cure requirements |
| Anti-Slip Paint | Porches, patios, walkways, pool decks, ramps, steps, and other approved wood or concrete walking surfaces | Textured floor coating formulated to improve traction on properly prepared walking surfaces | Brush, roller, or compatible texture sprayer after cleaning, repairs, profiling, and substrate-specific priming | Drying, recoating, and traffic readiness are product-specific and must be completed before regular use | Textured low-lustre slip-resistant finish designed for foot traffic on approved surfaces | Not every anti-slip floor paint is suitable for garage floors, automotive tires, every substrate, or every wet-service condition |
| Antifouling Paint | Underwater boat hulls and other approved marine surfaces exposed to fouling | Specialty bottom coating available in hard, ablative, polishing, copper-based, and copper-free systems | Brush, roller, or approved spray application over the required cleaned, prepared, and primed underwater substrate | Drying, recoating, minimum and maximum launch windows, and immersion requirements are product-specific | Underwater fouling-control film; hard and ablative systems differ in wear, renewal, and paint buildup | Biocide chemistry, local rules, water conditions, and hull material matter; some copper antifouling products can seriously corrode aluminum |
| Gouache Paint | Illustration, design work, studies, and opaque artwork on paper or approved supports | Opaque, water-based, quick-drying, and usually matte and reworkable | Brush application in relatively thin, flat layers with water used to adjust flow | Dries within minutes in thin layers; traditional gouache remains water-sensitive and can be reactivated | Flat, velvety matte color that is best protected from moisture and abrasion | Heavy layers may crack, and traditional gouache is less durable on flexible, wet, or handled surfaces |
| Acrylic Gouache | Illustration, design, color blocking, mixed media, and opaque acrylic artwork | Highly pigmented acrylic paint designed for an opaque, flat matte appearance without traditional gouache reactivation | Brush application, layering, illustration, collage, and mixed-media techniques | Dries quickly to a permanent, water-resistant acrylic film | Flat matte and opaque, with greater water resistance after drying than traditional gouache | Its permanent acrylic film cannot be reactivated and blended with water after drying like traditional gouache |
| Fabric Paint | Fabric, denim, garments, accessories, and textile décor | Textile-specific coating designed to remain more flexible than ordinary craft or household paint | Brush, sponge, marker, stencil, or textile spray formula | Must complete the product's drying, curing, and sometimes heat-setting process before use or washing | Flexible and potentially washable when matched to the textile and fully cured | Fiber compatibility, application thickness, and incomplete curing can reduce flexibility or wash resistance |
| Leather Paint | Leather, vinyl, canvas, shoes, bags, and flexible accessories | Flexible specialty coating, commonly acrylic-based, designed to move with properly prepared material | Brush, sponge, or airbrush, with surface-specific preparation or additives when required | Thin coats dry relatively quickly; full cure and any fabric heat-setting remain product-specific | Flexible, durable color with optional compatible finishers for sheen and added protection | Factory finishes, oils, plasticizers, or the wrong additive can reduce adhesion or flexibility |
| Vinyl Paint | Vinyl seats, dashboards, upholstery, trim, luggage, furniture, and other approved flexible surfaces | Flexible specialty coating; some products use vinyl resin while others use lacquer or other binders with adhesion promoters | Usually sprayed onto thoroughly cleaned vinyl or another specifically approved flexible material | Many formulas dry quickly, while full cure and handling readiness remain product-specific | Flexible decorative finish designed to resist cracking, peeling, and rubbing during normal movement | Material and exposure approval vary by formula, so interior vinyl coating should not be assumed suitable for exterior, marine, rubber, leather, or every plastic |
| Glass Paint | Glassware, glazed ceramic, vases, decorative objects, and similar slick surfaces | Specialty coating formulated to adhere to smooth nonporous glass or glazed surfaces | Usually brushed, sponged, marked, or outlined onto thoroughly degreased glass | Air curing or oven curing depends on the product; washing should wait until the stated cure is complete | Transparent, opaque, satin, glossy, frosted, or metallic finishes depending on the formula | Food-contact, dishwasher, heat, and washing claims are product-specific and require exact curing |
| Ceramic Paint | Ceramic, porcelain, earthenware, and approved decorative glass | Specialty coating formulated for fired ceramic surfaces, including glazed and low-porosity materials | Brush, sponge, marker, or other decorative application on a clean grease-free surface | Some products air cure while others require oven curing for greater wash resistance | Decorative enamel-like, glossy, satin, or other finishes depending on the selected product | Food contact, oven compatibility, porosity, and washing limits must match the exact product and object |
| Tempera Paint | School art, crafts, posters, and decorative projects on approved materials | Modern ready-mixed tempera is generally water-based, opaque, and distinct from traditional artist tempera | Brush, sponge, stamp, or other simple craft techniques | Usually dries quickly; permanence and water resistance depend on the exact product | Typically matte and decorative, with washable formulas prioritizing cleanup over long-term wear | Ordinary craft tempera is not intended for weather, washing, food contact, or heavily handled finishes |
| Traditional Tempera | Fine-art painting on rigid prepared boards and wood panels | Artist paint made with an emulsion binder; egg yolk is the best-known traditional binder, but broader tempera recipes also exist | Fine brushwork and controlled layering over a smooth absorbent ground | Generally fast-drying in thin layers, with exact behavior depending on the binder and recipe | Typically matte to softly luminous and durable on a stable, properly prepared rigid support | The word tempera does not always identify the exact binder, so historical or museum records may require more specific material evidence |
| Egg Tempera | Fine-art painting on rigid panels prepared with a smooth tempera-compatible ground | Traditional paint made from pigment, egg-yolk binder, and water, usually applied in many thin layers | Fine brushwork, crosshatching, glazing, scumbling, and layered panel painting | Thin layers dry very quickly, while the completed painting continues to mature after application | Fine, luminous, durable surface on a properly prepared rigid support | Flexible supports and unsuitable grounds can stress or weaken the relatively brittle paint-and-ground system |
| Casein Paint | Fine-art painting on rigid, porous boards and wood panels | Water-based paint using casein milk protein as its binder, with a fast-drying matte film | Brush painting, thin washes, opaque layering, illustration, and panel painting | Dries quickly to the touch and becomes increasingly water-resistant as the film cures | Matte, opaque to translucent depending on dilution, and durable on a suitable rigid support | The cured film is relatively brittle, so flexible supports and unsuitable grounds can lead to cracking |
| Encaustic Paint | Wax painting and mixed media on rigid, absorbent, heat-resistant supports | Pigment suspended in a wax-based medium that is melted for application and fused with heat | Heated brushwork, layering, scraping, incising, collage, and controlled heat fusing | Wax solidifies as it cools; layers are fused with controlled heat rather than cured like ordinary paint | Luminous wax surface ranging from translucent to opaque, with substantial physical depth possible | Requires heat, rigid support, ventilation and fire-safety awareness, and surfaces able to tolerate wax weight and repeated warming |
| Lacquer Paint | Furniture, cabinetry, woodwork, metal, and approved automotive or decorative surfaces | Fast-drying coating available in nitrocellulose, acrylic, and catalyzed systems | Usually sprayed, with some brush-on products available | Often dries quickly, while recoating, polishing, and full curing remain product-specific | Can produce a smooth, hard finish ranging from matte to high gloss | Solvents and different lacquer chemistries can react with incompatible primers or existing finishes |
| Polyurethane Paint | Wood, concrete floors, prepared metal, and demanding commercial or industrial surfaces | Durable urethane-resin coating available as clear, pigmented, one-part, and two-part products | Brush, roller, squeegee, or spray depending on the selected system | Two-part products have a limited working time; full hardness and service readiness require the stated cure | Strong resistance to wear, weather, or chemicals when the formula matches the exposure | Products vary widely and may require exact mixing, ventilation, primer, and professional application |
| Masonry Paint | Concrete, brick, stone, cinder block, and other approved mineral surfaces | Formulated for porous masonry, with location and moisture performance varying by product | Brush, roller, or suitable masonry spray equipment | Drying and recoating are product-specific, and new masonry may require substantial curing before painting | Usually flat or low-sheen with durability tied to substrate condition, moisture, and exposure rating | Active moisture, uncured masonry, efflorescence, or the wrong wall-versus-floor product can cause failure |
| Elastomeric Paint | Exterior vertical stucco, concrete, concrete block, brick, and approved adjacent trim surfaces | Flexible high-build exterior coating designed to expand and contract and bridge compatible hairline cracking | Brush, heavy-nap roller, or airless spray after curing, cleaning, moisture correction, and crack repair | Requires the stated cure and recoat schedule; primer needs depend on porosity, repairs, chalking, wood, or metal | Low-sheen, flexible, weather-resistant wall finish with greater film build than ordinary masonry paint | Primarily for approved vertical exterior surfaces; larger cracks still need repair and horizontal foot-traffic areas require another system |
| Textured Paint | Decorative exterior walls and approved concrete, stucco, block, wood, or metal surfaces | Architectural coating formulated to create visible texture and reduce the appearance of minor surface irregularities | Roller, brush, spray, or texture-specific application depending on the selected coating and desired pattern | Drying and recoating are product-specific; a sound, properly primed base is needed for even texture and adhesion | Flat to textured decorative finish whose appearance depends strongly on application method and substrate | Texture does not repair structural defects, and many architectural products are not intended for floors |
| Emulsion Paint | Interior walls and ceilings, especially drywall and plaster | Water-based architectural coating; the term overlaps with latex and acrylic wall paints | Brush, roller, or suitable sprayer | Usually dries and recoats relatively quickly, while full hardness and washability develop later | Flat decorative finishes through more washable sheens, depending on the selected formula | The name is broad, so damp-area suitability, cleanability, substrate approval, and sheen remain product-specific |
| Distemper Paint | Traditional interior plaster, ceilings, decorative work, and compatible porous wall surfaces | Water-based traditional coating using mineral pigments with a glue- or protein-based binder | Usually brush-applied in thin coats to a sound, porous, compatible interior surface | Dries by water evaporation; exact sizing, recoating, and curing depend on the distemper formulation | Very matte and breathable, especially in traditional soft-distemper systems | Less washable and abrasion-resistant than modern wall paint and sensitive to incompatible sealed or damp substrates |
| Alkyd Paint | Trim, cabinets, doors, wood, metal, aluminum, and other hard-wearing surfaces | Known for smooth leveling and durability; traditional solvent-borne and newer waterborne formulas differ | Brush, roller, or spray depending on the formula | Often develops hardness more slowly than ordinary wall paint; recoat and cure vary by product | Smooth, durable finish commonly used where trim, doors, and cabinets receive regular handling | Traditional and waterborne alkyds can differ significantly in application, drying, and approved use |
| Milk Paint | Furniture, raw wood, porous masonry, rustic walls, and decorative restoration | Traditional-style product mixed from powder and water, known for a matte and naturally varied appearance | Brush application in thin coats, with mixing and occasional stirring during use | Often dries quickly; bonding additives and protective topcoats have their own schedules | Matte and breathable on porous materials; wax, oil, or another compatible topcoat can improve protection | Adhesion becomes less predictable on sealed or previously finished surfaces without testing or a bonding method |
| Limewash Paint | Absorbent brick, stone, concrete, plaster, and other approved mineral walls | Slaked-lime mineral paint that penetrates porous material and carbonates as it dries | Usually brush-applied in thin coats, with dampening or a prep coat used when directed | Surface appearance develops quickly while carbonation and weathering continue over time | Breathable, very matte, and naturally varied, often with an aged appearance | Traditional limewash needs a compatible absorbent surface and is not automatically suitable for sealed walls or floors |
| Glow-in-the-Dark Paint | Decorative accents, signs, crafts, and effects on approved surfaces | Photoluminescent coating that stores light and releases it after the light source is removed | Brush-on coats or an approved aerosol and spray formula | Drying and curing are product-specific; the finished coating must be charged with light before glowing | Daytime finish varies; glow brightness and duration depend on the base color, coating buildup, and charge | The glow fades until recharged and performs best with the specified light base and sufficient coating |
| Fluorescent Paint | Bright art, signs, accents, crafts, and high-visibility decorative work on approved surfaces | Highly vivid fluorescent pigments appear especially bright under strong light and ultraviolet illumination | Brush, marker, or spray depending on whether the product is an artist acrylic or specialty coating | Usually dries according to the underlying paint formula; a white or light base often improves brightness | Very bright color under illumination but no stored afterglow once the light source is removed | Fluorescent pigments can be less lightfast than conventional colors, and surface compatibility depends on the exact formula |
| Water-Mixable Oil Paint | Canvas, prepared panels, paper, and other oil-ready art supports | Genuine oil paint made with modified drying oils so it can mix and clean up with water | Brush, palette knife, glazing, and layered oil-painting techniques | Dries by oxidation like traditional oil paint; layer thickness and medium affect drying time | Comparable to traditional oil paint when used on a stable, properly prepared support | Water mixability does not remove the need for oil-compatible grounds, layering, and drying time |
| Silicate Paint | Brick, concrete, stone, plaster, render, and other compatible mineral surfaces | Mineral paint whose potassium-silicate binder chemically bonds with suitable substrates | Brush, roller, or approved spray equipment as directed by the complete mineral system | Drying and recoating are product-specific as the binder develops its mineral bond | Breathable, matte, durable, and resistant to ultraviolet fading | Sealed, non-mineral, or previously painted surfaces may be incompatible without an approved bridging primer |
Browse individual paint type references for concise definitions, typical uses, surface compatibility, preparation, application, and curing guidance.
Acrylic paint is a fast-drying water-based paint made with an acrylic polymer binder.
Oil paint combines pigment with drying oil and cures more slowly than water-based paint.
Water-mixable oil paint is genuine oil paint modified to mix and clean up with water.
Spray paint is an aerosol coating that applies color and finish as a fine mist.
High-heat paint is formulated for metal surfaces that reach temperatures ordinary paint cannot tolerate.
Intumescent paint expands under high heat to form an insulating char layer as part of a specified passive fire-protection system.
Conductive paint uses electrically conductive pigments to create functional coatings for shielding, grounding, and other electrical applications.
Paint markers apply opaque pigmented color through a marker tip, with water-based and oil-based formulas for different surfaces.
Lacquer paint is a fast-drying coating commonly used on furniture, woodwork, and some metals to build a smooth, hard finish.
Enamel paint is a broad category of durable coatings that form a hard washable finish.
Metallic paint contains reflective particles that create a metal-like shimmer or sheen on properly prepared surfaces.
Hammered paint forms a dimpled decorative finish that resembles hand-hammered metal, with many formulas designed for metal and other prepared surfaces.
Reflective paint returns direct light toward the viewer to improve nighttime visibility on approved surfaces.
Iridescent paint uses reflective pearlescent particles to create luminous effects that change with light and viewing angle.
Latex paint is a water-based architectural coating commonly used on walls and other building surfaces.
Chalk paint is a decorative coating known for its soft ultra-matte finish.
Chalkboard paint is a functional coating that creates a writable, erasable surface for chalk after proper curing.
Dry-erase paint creates a smooth hard indoor surface that can be written on with dry-erase markers and wiped clean after curing.
Fabric paint is formulated to bond to textiles while remaining more flexible than ordinary paint.
Leather paint is a flexible specialty coating designed to bond to leather without becoming excessively rigid as the item bends and moves.
Vinyl paint is a flexible specialty coating used to recolor or restore vinyl, with formulas tailored to adhesion, flexibility, and exposure.
Glass paint is a specialty coating for smooth glass, available in transparent or opaque formulas with product-specific curing for durability.
Ceramic paint is a specialty coating for fired surfaces such as porcelain and earthenware; some formulas use oven curing for greater wash resistance.
Masonry paint is formulated for porous mineral surfaces such as brick and concrete.
Elastomeric paint is a flexible high-build exterior coating for compatible vertical stucco and masonry surfaces.
Textured paint builds a decorative surface with visible texture that can soften the appearance of minor surface irregularities.
Limewash paint is a breathable mineral finish made with slaked lime for porous masonry and plaster.
Distemper paint is a traditional water-based interior coating valued for its very matte, breathable finish on compatible porous surfaces.
Silicate paint uses a mineral binder that chemically bonds with compatible masonry surfaces.
Epoxy paint usually combines resin and hardener to form a tough protective coating.
Anti-slip paint is a textured floor coating formulated to improve traction on approved wood and concrete walking surfaces.
Antifouling paint is an underwater marine coating formulated to deter barnacles, weeds, slime, and other hull fouling.
Polyurethane coatings form tough resin-based films, ranging from clear wood finishes to pigmented industrial paints.
Emulsion paint is a water-based wall coating commonly used on plaster and drywall.
Alkyd paint uses synthetic resin to create a smooth durable finish similar to traditional oil paint.
Glow-in-the-dark paint stores light energy and releases it gradually after the lights go out.
Fluorescent paint uses vivid pigments that appear especially bright under strong or ultraviolet light without storing an afterglow.
Watercolor is a transparent water-based paint traditionally used on absorbent paper.
Gouache is an opaque water-based paint that dries to a flat matte finish.
Acrylic gouache combines opaque matte color with a permanent water-resistant acrylic film after drying.
Modern tempera is a quick-drying water-based paint used for school art and crafts.
Traditional tempera is an artist paint made with an emulsion binder and commonly used on rigid prepared supports.
Egg tempera is a traditional fast-drying paint made with pigment, egg yolk, and water for rigid prepared panels.
Casein paint is a fast-drying water-based artist paint that uses milk protein as its binder and works best on rigid porous supports.
Encaustic paint suspends pigment in a wax-based medium that is melted for application and fused with heat.
Milk paint is a water-mixed coating traditionally made with milk protein and mineral pigments.