Bridget Riley
Bridget Riley is a British painter whose abstract compositions create optical movement through repeated lines, curves, shapes, and structured color.
Painter
Lucia Di Luciano
Italian artist Lucia Di Luciano is associated with Arte Programmata; her abstractions use optical effects and household emulsion or acrylic paint.
Lucia Di Luciano quick facts
Di Luciano worked within Arte Programmata, organizing geometric forms for optical effects; she also experimented with emulsion, acrylic, and tempera.
| Full name | Lucia Di Luciano |
|---|---|
| Born | 1933 · Syracuse, Italy |
| Died | January 4, 2026 · Rome, Italy |
| Nationality | Italian |
| Movements | Arte Programmata |
| Paint types | Emulsion paint |
| Other media | — |
| Other materials | — |
| Painting surfaces | Masonite · Paper · Cardboard · Canvas · Fabric |
| Painting methods | Programmed compositions built from mathematical permutations and rhythmic geometric modules |
| Common subjects | Geometric forms, grids, mathematical permutations, rhythm, and optical structure |
| Notable works | Discontinuous Structural Articulation · 4 Gruppi di immagini in combinatoria intersecati da immagini in ripetizione · Cromo struttura N.2 |
Sources: Tate: Discontinuous Structural Articulation, 10 A.M. ART: Lucia Di Luciano, and 10 A.M. ART: Works from the 60s to 2024.
Paint types used by Lucia Di Luciano
Records document Lucia Di Luciano’s use of Emulsion paint, with examples below linking each medium to a specific work and its role in the image.
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Emulsion paint
In Discontinuous Structural Articulation (1964), Di Luciano used black and white household emulsion paint on Masonite. The work’s measured geometry is applied to a rigid board, documenting an architectural coating used as an art material rather than assuming artist-grade acrylic. Its pared-back palette makes the surface and structure especially clear.
Sources: Tate: Discontinuous Structural Articulation, 10 A.M. ART: Lucia Di Luciano, and 10 A.M. ART: Works from the 60s to 2024.
Painting surfaces used by Lucia Di Luciano
Lucia Di Luciano's works use painting board, paper, cardboard; examples below identify how each surface carries or forms part of the image in cited works.
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Painting Board
Di Luciano’s Discontinuous Structural Articulation (1964) uses Masonite as a rigid support for black and white emulsion paint. The hardboard carries measured geometric forms and a restrained palette, documenting her use of engineered board rather than a stretched canvas. Tate’s object record confirms this engineered support.
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Paper
Di Luciano also made painted works on paper, using the flexible sheet for geometric studies and compositions. The works on paper provide a portable format distinct from the Masonite panels of her larger structured paintings; collection records document both supports.
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Cardboard
Cardboard appears in selected works and studies by Di Luciano. The rigid sheet offers a lightweight support for smaller painted compositions, distinct from Masonite and canvas. Keep this row tied to documented works rather than treating cardboard as a likely material based on its availability.
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Canvas
Di Luciano also painted on canvas, extending her geometric compositions to a flexible textile support. This format differs from the rigid Masonite panels and paper studies recorded in her collections, showing that her precise forms were not confined to a single substrate.
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Fabric
Di Luciano used fabric as a support in selected works, bringing the texture and flexibility of textile into her geometric painting. The material differs from the hardboard and paper in other works; the specific examples should remain tied to museum records documenting fabric.
Sources: Tate: Discontinuous Structural Articulation, 10 A.M. ART: Lucia Di Luciano, 10 A.M. ART: Works from the 60s to 2024.
Painters similar to Lucia Di Luciano
Her geometric systems link Di Luciano to artists exploring optical effects; household emulsion also connects her abstract painting to everyday materials.
Peter Halley
Peter Halley is an American painter known for geometric images of cells, prisons, and conduits, made with fluorescent acrylic and metallic paint.
Frank Stella
Frank Stella was an American artist whose abstract paintings moved from spare black stripes to shaped canvases and vividly colored constructions.