Oil Paint
Oil paint is a slow-drying art medium made with pigment and a drying-oil binder that allows extended working time, smooth blending, and layered application.
Painter
Simeon Solomon was a British painter linked to the Pre-Raphaelites whose richly colored biblical scenes and dreamlike figures explored ritual, myth, and desire.
Solomon joined the wider Pre-Raphaelite circle in the late 1850s, later developing a distinctive Aesthetic and Symbolist vision.
| Born | 1840 · London, England |
|---|---|
| Died | 1905 · London, England |
| Nationality | British |
| Movements | Pre-Raphaelite circle (later associate); Symbolist tendencies |
| Paint types | Oil Paint · Watercolor Paint · Gouache Paint |
| Painting surfaces | Canvas · Paper |
| Painting methods | Layered watercolor and opaque white bodycolor for intense color, alongside oil-painted figures and symbolic compositions |
| Common subjects | Biblical rituals, ancient myth, religious ceremonies, and idealized or androgynous figures |
| Notable works | Two Acolytes Censing: Pentecost · Juliette · King Solomon · Figure with head scarf |
Sources: Ashmolean Museum: Two Acolytes Censing, water-based bodycolor on paper, Metropolitan Museum of Art: Figure with head scarf, watercolor and gouache, Christie's: Juliette, oil on canvas, British Museum: Solomon and the Pre-Raphaelite circle.
Surviving works and museum records document watercolor and opaque bodycolor, alongside oil paintings such as Juliette.
Oil paint is a slow-drying art medium made with pigment and a drying-oil binder that allows extended working time, smooth blending, and layered application.
Watercolor paint is a water-based art medium made with pigment and a water-soluble binder, typically applied in transparent washes on absorbent paper.
Gouache paint is an opaque, water-based art medium made with pigment and a water-soluble binder, drying to a matte finish that can be reactivated with water.
Ashmolean and Met examples are works on paper; the documented oil painting Juliette was made on canvas.
Canvas is a woven fabric support, commonly cotton or linen, used for painting and sold either raw or prepared with a compatible ground layer.
Paper is an absorbent sheet material made from pressed fibers, with weight, sizing, and surface texture controlling moisture tolerance and paint behavior.
Solomon knew the Pre-Raphaelite circle and shared Rossetti's and Burne-Jones's interest in spiritual and poetic imagery.
Edward Burne-Jones was a British Pre-Raphaelite-associated painter whose dreamlike medieval scenes, elongated figures, and rich colors shaped late Victorian art.
Dante Gabriel Rossetti was a British Pre-Raphaelite painter and poet whose luminous portraits, medieval subjects, and symbolic colors helped shape Victorian art.