Painting Movement

Cubism

Cubism emerged in Paris as Pablo Picasso and Georges Braque broke objects and figures into angular planes, compressed space, and shifting viewpoints.

Cubism quick facts

Review Cubism's origins, subject matter, painting materials, and early development through the Analytic and Synthetic phases.

Cubism quick facts
OriginParis, France
Early development1907–1914; Cubist approaches continued afterward
Early developersPablo Picasso and Georges Braque
Other notable paintersJuan Gris, Fernand Léger, and Jean Metzinger
Defining characteristicsGeometric planes, flattened space, fragmented forms, and several viewpoints in one image
Common subjectsStill lifes, portraits, figures, musical instruments, and landscapes
Analytic CubismRoughly 1909–1912: tightly interlocking fragments, subdued color, and multiple viewpoints
Synthetic CubismFrom 1912: larger, flatter shapes and collage with newspaper, wallpaper, or other materials
Paint mediumOil paint, alongside drawing and mixed media
Painting surfacesCanvas and paper, among others
Representative worksPicasso's Girl with a Mandolin, Braque's Man with a Guitar, and Gris's Breakfast

Sources: MoMA: Cubism, Analytic and Synthetic Cubism, and Materials of everyday life.

Famous Cubist painters

Picasso and Georges Braque developed Cubism together, while Juan Gris became a leading practitioner of its later collage-based approach.

Pablo Picasso

Pablo Picasso was a Spanish artist whose long career moved through many styles and media, from the Blue and Rose periods to Cubism, classicism, Surrealism, sculpture, printmaking, and ceramics.

Also notable: Georges Braque and Juan Gris. Their individual PaintZeal profiles are not available yet.

Orphism adapted Cubist ideas into rhythmic color abstraction, while Futurism drew on fractured forms to represent movement and modern life.

Cubism compared with related movements
MovementHow it differs
OrphismEmphasized bright color, rhythm, and increasingly nonrepresentational forms inspired partly by Cubism.
FuturismEmphasized speed, motion, and modern machines, drawing partly on Cubist fragmentation.

Sources: MoMA: Before and beyond Cubism, Orphism, and Futurism.